About Candy Shue

Candy Shue is a poet and reviewer for the online show, Poet As Radio. She holds an MFA from the University of San Francisco and her work has been published in The Collagist, Washington Square, Spiral Orb, Switchback, Folly Magazine, The Rambler, Poemeleon, The Southern California Anthology and other journals.

Meet Me and Nick Cave’s Soundsuits at EOAGH Journal

My poem, “Meet Me at the Center of the Earth” is up at EOAGH Journal of the Arts, a great online site that concerns itself with reading “as a process, the productive chaos of investigative poetic work.” There are some cool poems by Steve Benson, and Christine Kanownik.

As an experiment, I am embedding a pdf of my poem here because it has a rather sinuous shape and odd line breaks.

Whew, it worked. And because I love them so much, here’s a photo of some of Nick Cave’s Soundsuits, which inspired my poem. It would be amazing to see them in motion, no?

nickcave-soundsuit-1

Tag, We’re All It!

Tag, you’re it!
The Next Big Thing!
–>
I was tagged by MG Roberts in The Next Big Thing!
The Next Big Thing! as you may know is a multi-branching dna strand of poets twisting and tagging each other in the cybersphere about their digital and actual words as books or chaps, perhaps bound projects. It was spawned by Carol Mirakove.

The Next Big Thing questions:

What is the working title of the book?
Whiskey, Water, and White Dwarves. It’s based on a Kundiman Retreat prompt that challenged me to include Jack Daniels whiskey and the phenomenon of White Dwarves in astronomy in the same poem. So much fun!

Where did the idea come from for the book?
This book is packed with my obsessions: magicians, taiko drumming, the lion house at the SF Zoo, an imaginary meeting between the Buddha and Donald Trump, manatees, hypnogogic dreaming. It makes sense, I swear.

What genre does your book fall under?
Hybrid prose poem/flash fiction/experimental poetry/tantric meditation. Is that a recognized genre?

What actors would you choose to play the part of your characters in a movie rendition?
Someone a lot more flexible than I am. Someone who can do a backbend properly.

What is the one sentence synopsis of your book?
We are dream and we are dreaming and it’s a good thing!

How long did it take you to write the first draft of the manuscript?
I’m embarrassed to tell you how long I’ve been writing these pieces. But I’m glad they’re together in a manuscript now!

Who or what inspired you to write this book?
I’m always inspired by people and the world around me in its glorious chaos that somehow falls into place.

What else about your book might pique the reader’s interest?
It’s the only book where you’ll read about goldfish farming in poetry. I think that’s true.

Will your book be self-published or represented by an agency?
I’m looking for a publisher. Anyone interested in taking a look at the manuscript can email me at: candy@invisibleadventure.com

My tagged writers for next Wednesday are:
Sean Labrador Y Manzano, Oliver de la Paz, Samantha Giles, Colleen Lookingbill, Lisa Buchanan, Paul Ocampo, Margaret Rhee

AWP 2013: Poetry Blooms in Boston

Thanks for stopping by to say Hi! I hope you’re having a fantastic AWP and are inspired to write, write, write when you get home and recover from the excitement.

A short hello about me: I’m a poet and book reviewer whose work can be heard on the online show, Poet As Radio. I earned my MFA from the University of San Francisco and was recently awarded a Kundiman Fellowship. My writing has appeared in Drunken Boat, Versal, EOAGH, Spiral Orb, The Collagist, Mead Magazine, Eratio, and other journals. Currently I’m working on a chapbook titled “Whiskey, Water, and White Dwarves”, as well as a series of essays on tantric meditation and poetry.

I’ll be staffing the Kundiman Booth at AWP (#408) on Saturday from 11:30am-5:30pm. Come by and we can talk poetry and play a game of Rock, Paper, Scissors, Lizard, Spock.

Take care, dream big, and I hope we cross paths again soon!

Quiet Lightning + 826 Valencia = Pirate Lightning!

A rousing time was had by all at the February 4th celebration of young readers, put together by Evan Karp, Chris Cole and the good folks at 826 Valencia. The authors were at the top of their game and the Pirate Store was absolutely SRO. Allie read Gillian’s poem, “How To Be a Circuit” in the second half of the evening. Then they skedaddled home to hit the books since it was a school night!

How To Be A Circuit

First you have to choose whether you are
a parallel circuit or a
series circuit choose if you have a switch
or a lightbulb or a
buzzer or if your inside inside
Rudolf the red-nosed Reindeer
but even if you choose a bee that flaps its wings
you have to have a flowing connection of electricity
maybe from a batterie or an outlet
the connection has to be clear
If not,
the light or buzzer goes out
for a series circuit you’re in a loop, you’re more
simple
but to be a parallel circuit is more complicated
but if one goes out the others stay on
hopefully your batteries will never go
out
out

And you can read the entire sparkle + blink 36 here!

Poetics of Trance

Lan Su Chinese Garden, Portland, Oregon

Lan Su Chinese Garden, Portland, Oregon

What is the difference between sleeping and trance? Dream and waking? Consciousness and free will? Conditioning and personality? Check out Drunken Boat 16′s folio on Trance Poetics and get the 411 on all this. Kristin Prevallet has curated a wide-ranging exploration of trance poetics in forms aural, visual, and written, including my poems, “Hypnogogic,” (based on a most intense waking dream state), “In Full View,” “Lucid: One Dream,” and “You Know Where You’ve Been.”

You can click on the “listen” button by each poem to hear an extra feature if you so desire. Poetry as the Fifth Element in a garden, from a visit to Portland’s wonderful Lan Su Chinese Garden accompanies “Hypnogogic.” There are background tidbits in the recordings of the other poems too. If I had realized that the recordings were going to accompany the poems, I would have made my voice sound sexier. I thought the recordings were going to go on a blog or archive somewhere else. I must have been sleeping. :-)

The I Ching in Performance

Many thanks to Karen Penley for inviting me to read at her series, “Retard: The Church Show” last Friday, Dec. 14th. I was inspired by the amazing movement and music artists to try out a new performative poem based on the I Ching. This included a Buddha Box, an old almond cookie tin, three I Ching Coins, and many layers being revealed. What kind of layers? I’ll leave that to your imagination. Or perhaps I can perform it again sometime!

What a fun evening with: Catherine Debon, Smooth Toad, Amy Moon, Ian Robertson, Alan Phillip and Herb Heinz. All of them doing stuff. And the apple caramel tart and tea and pecan pie ice cream were yummy too.

So if you’re looking for something fresh and different, check out Karen’s new series of performances and readings, making a new home in the Temescal neighborhood of Oakland starting January 6th, 2013. Happy Holidays, Everyone!

Of Mantras and Poetry: A New Essay Up at Mead Magazine

Following on the heels of my Lion House reading, I found this cool clip of Michael McClure reciting his “beast language” to the lions at the old Lion House at the SF Zoo. Thanks to Jillian Rose for reminding me about it!

I wrote about McClure’s collection, “Ghost Tantras,” in my essay, “Of Mantras and Poetry: The Seed Syllables of Sound Poetry,” up in the current issue of Mead: The Magazine of Literature and Libations, edited by the feisty and talented Laura McCullough.

The essay also delves into Christian Bok’s poetry, The Bon Warrior Seed Syllables, Jackson Mac Low’s Performance Piece and Hugo Ball‘s Dadaist Poems!

Quiet Lightning at Viracocha on November 5th

 

I have the good fortune to read at Quiet Lightning:

Monday, November 5th
Viracocha • 998 Valencia @ 21st
7pm doors, show at 7:30
$5

Please come and join the fun!

The show was curated by Chris Cole and Evan Karp and this month’s artist is Kirsten Harkonen.

Maps and Poetry at Powell’s City of Books

On a recent trip to Portland, Oregon, I made a visit–or should I say a “pilgrimage”–to Powell’s City of Books on West Burnside Street.  Powell’s is a shrine to many and it certainly is to me, since I’d first started going there as a sales rep for a large publisher, many years ago.  I would spend long rainy days discussing books with the buyers of the various departments and taking inventory off of color coded index cards that used hashmarks to tally the number of copies a particular title sold.  (This makes me think of the story of a software engineer who learned how to write computer programs by keying in punchcards to physically run the code through the machine.)

This was back before the Pearl District had become the chic home of Whole Foods, Sur la Table and Anthropolgie. In those days, the bookstore’s location was fairly low rent, sitting on the edge of a warren of auto repair shops and warehouses.  I would squeeze my sales rep rental car (usually a nondescript silver mid-size number) into the precarious garage that had such a steep and narrow driveway there was a sign on the wall that warned you to honk in case another car was on its way down the same ramp.  Even then, Powell’s was already big enough to need a map for its customers, a charming hand-drawn guide that readers could use to navigate their way to their favorite books. Like a nostalgic alum visiting her old college campus, I was happy to discover that the newer, bigger Powell’s still offered paper maps but that they also had a smartphone app that would lead patrons directly to the shelf of any title they had in stock.

Armed with paper and electronic navigational tools, I easily found my way to the Poetry section (Blue Room, aisles 211-212) and quickly gathered an assortment of titles: Wonderful Investigations by Dan Beachy-Quick, Transformations by Anne Sexton, Of Gods & Strangers by Tina Chang, and Andrew Schelling’s Wild Form & Savage Grammar. A shiver of delight and fear ran though me simultaneously–a mere 15 minutes into my first foray had yielded treasures already–and I had not even made it to the Mythology Section (Red Room, aisles 875-877) or the Fiction Section (the entire Blue & Gold Room) yet!

With a sigh of pleasure I hugged my books to my heart and consulted the map once more. I needed to know where the World Cup Cafe (Coffee Room, southwest corner–also the Audio Section, aisles 401-405, and Humor Section, aisles 407-412) was as I knew I would need a hit of Bookworm Blend and a bite to eat in due time. Then, with the promise of poetry coursing through my body, I was ready to trek deeper into the stacks of Powell’s, my own little slice of nirvana. Little did I know I would be spending five hours there that day alone, and heaps more time over the course of the next few days (14 hours in four days), so the maps and the coffee would come in handy many times over!